Tag Archives: trauma recovery

it’s ok to feel whole in our skin

 

 

Good morning, good morning. It’s 5am  and there are candles and it’s dark and snowing and I have the old loud heater at my feet and quiet music and hot tea. This morning I feel grateful even though the whole world feels like it’s falling apart.

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book snippet: the page has room

(Good morning, good morning! While I’m away, I wanted to share with you some pieces from my book, Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, which is coming out next month! I’ll post one of these a week, on Friday mornings. Be easy with you, ok? And please keep writing…)

Cover of Writing Ourselves Whole book, the view of a small island from a wooden deck, you can see the edge of the deck, water, and a green island in the distance. The title reads Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, Jen Cross.From “the page has room for my incomprehensibility”:

Today I don’t want words, I want the juice of this river, I want to play in the garden. I want to plant new seeds and then listen to the neighborhood birds until the seeds throw up shoots. Some days it’s all white butterflies and green tea. Somedays it’s all the dog and her orange ball and the kids screaming at the school a block away. Some days you’ve done enough healing, it’s been years enough, and you can set something down, remove the practice barrier, the training wheels, you can roll down the window and let the air in because you’ve done enough. You’ve done enough. There are more tears to come, yes, there will be more big ache in this lifetime, but you recognize now that that’s the human condition—not only about incest, not only about recovery, just the whole life fact of this existence. We don’t stop crying and there is laughter in our eyes, the puppy sprawls at my feet in the shade. I let the sun take my shoulders to a dark brown, bake this old, oldest, tension out of muscle and bone. (2014)

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book snippet: how to restory

(Good morning, good morning! While I’m away, I wanted to share with you some pieces from my book, Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, which is coming out next month! I’ll post one of these a week, on Friday mornings. Be easy with you, ok? And please keep writing…)

Cover of Writing Ourselves Whole book, the view of a small island from a wooden deck, you can see the edge of the deck, water, and a green island in the distance. The title reads Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, Jen Cross.From “introduction: how to restory”

I started journaling in 1993, when I was twenty-one years old and breaking away from my stepfather after nearly ten years of ongoing sexual, psychological, and physical abuse. As often as I could, I took refuge in local café, where I bought a large, dark roast coffee, and popped a tape into my portable cassette player—Ani DiFranco, Erasure, Zap Mama, The Crystal Method—slid my headset over my ears, folded the notebook open to a new page, uncapped my pen, wrote things I thought I’d never be able to say out loud. I spent years doing this, my butt planted in a wooden chair in some coffee house or other in Northern New England or around San Francisco. This is the way I found my tongue again. I wrote through the numbness that kept me protected—through writing I could feel the sadness, despair, depression, rage. The emotions had a weight and a shape once they found their way into words, whereas, inside me, they had all tangled together into a single inarticulate mass. There were few days I didn’t break through into tears while I bent over my notebook at that corner table in the back of the cafe.
In the earliest months of my writing practice, I was often rigidly and “logically” truthful. I froze often during my writing sessions, straining hard to get every detail right so my stepfather could not accuse me of lying (should he ever come to read what I wrote—and, of course, I assumed he would; up to that point, he’d had access to every single aspect of my being). I wanted to compile a record of his atrocities, and was beginning the work of disentangling my feelings from the so-called psychoanalytical brainwashing that was a core component of his control over me, my sister, and my mother. If he ever made good on his threat to have me killed for leaving his bed, I believed someone would find this notebook and finally know who I really was. In those early years, as much as for any other reason, I wrote to survive my death in the form of a final, true story. I had told so many lies—I wanted someone, in the end, to know What Really Happened.

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Our lives are forever greater than that

above all
I’ve cosmically transmuted the atmospheric bone
the dementia enveloped by protest
by turquoise weight
& somnific solar inclusion
singing by eclipse torrent
by waves of flame erupting from mirrors & dreams of post-
extinction
– from “Song in Barbarous Fumarole of the Japanese Crested Ibis,” by Will Alexander

Then, there! We watched the thin edge disappear—
The obvious stole over us like awe,
That it was our own silhouette we saw,
Slow perhaps to us moon-gazing here
(Reaching for each other’s fingertips)
But sweeping like a wing across that stark
Alien surface at the speed of dark.
– from “Sublunary,” by A. E. Stallings

Last night my sweetheart woke up just long enough to see the earth’s shadow slip up onto the surface of the moon and take a bite, but we missed most of the libran lunar eclipse. This morning I sit in front of the low illumination of the computer screen, listening to the candleflame flickering in its glass containment, and imagine what magic was cast over our sleeping bodies when the whole of the earth passed between moon and sun. What new songs did the garden plants learn to sing from that shining halo of refracted light? What leftover glow will catch itself onto my fingers when I reach for those new leaves today?

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come back

Angel breaking through the wallGood morning. The music is going, the coffee is percolating, and the rose blooms wide open, like my body. I am surrounded by the books that I love and the home I have made for myself.

I want to tell you that I never believed I could get here, to this place, of possibility and celebration. I reach back into the years of despair, if only to remember again what it felt like to wake up hopeless, if only to remember what it felt like to not ache, not believe. I hoped and longed for and wanted but did not believe I deserved. I did not ever see myself getting here, to the place I wanted: a body that was certain of and curious about itself, hands filled with words and joy, a little apartment in the city that was a haven for language and resilience. But that is what I have.

Today’s post is brought to you by this quote from a poem by Kallie Falandays:
“I want to give you your history back.
Your fingers back. I want to tell you yes.”

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this family I’ve been dancing around the edges of

Good morning this Wednesday morning. Where I am, the sun is still behind the thick early fog; even the Oakland hills aren’t quite visible yet. The puppy is at my feet, chewing away at her toy tire, and my morning candle is a needed thing in this just-undusk.

What does family mean to you? Could it ever mean anything uncomplicated again?

This morning, I would like to bake bread: turn on the radio and dial the tuner to an NPR station, get out the hand mixer, and toss the oats and honey and yogurt and blackened bananas and nutmeg and salt and baking soda into a bowl — I’d like to be preparing something to feed your family. I’d like to prepare something to feed this little family that I am dancing around on the edges of. I’d like a slow morning, with laughter and investigation and silliness — everybody reading their own piece of the paper, sharing sections aloud, asking what the others think, while the puppy takes up her place on the living room carpet and disassembles her toy.

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