(In this series of posts about radical self care and/through major life change, I am finally taking some time to find the words for what I’ve been dealing with over the last month, since the birth of my nephew. I am thinking about how and why we choose to survive and how much effort is involved, how and why we choose to take care of ourselves, and how to allow ourselves to walk with all that life throws at us with even a modicum of grace and celebration.)
I remember they said it would be hard. I scrambleby luck into a little pocket out ofthe wind and begin to beat on the stoneswith my scratched numb hands, rocking back and forthin silent laughter there in the dark—“Made it again!” Oh how I love this climb!– from “After Arguing against the Contention That Art Must Come from Discontent,” William Stafford
This is what’s true: You can’t force a rhythm. When things are out of sync, you have to let them find their own way back into togetherness. Today I am going slow. I am listening to the birds outside, the spring birds, the ones just waking now, the birds hiding in the slowly-flowering apple tree, the ones that sit in the narrow pine at the back fence. I am listening to the candle flame flicker in its glass enclosure. I am listening to the puppy shudder in her morning dreams. I am listening for what wants to happen next.
This writing was supposed to come on Monday, but it didn’t. After a very full weekend, the writing went quiet, and so I didn’t force it. I wrote in the notebook, things not meant for public display, and I found poems for this space. Today I’m going slow — I’ll write, work in the garden, bake sourdough bread, and, while the sourdough is working its rise, I’ll work on a copyediting gig I’m in the midst of.
Sourdough is a thing that needs time to do its work, even more so than conventional yeast-raised breads. Sourdough bread is old bread, original bread. It’s a fermented product, just like pickles and sauerkraut and yogurt and kombucha — there are probiotics in these foods that our bodies need for digestion and better health. I’m going to use sprouted wheat flour for the bread, which is supposed to be even better for you.
(I’ve started to look at un-fermented breads the same way I look at candy: I go into the cafe and look at all the candy lined up on those pastry shelves. That’s exactly how my body reacts when I eat a conventional croissant or bagel, something made with processed, bleached, enriched white flour—it’s just like I’ve eaten a half-a-bagful of jellybeans.)
I have started listening differently to my body — again. After the terrible depression I struggled with last month, I am listening again. For about a week now, I’ve been taking a new set of supplements, and have cut back on my sugar and dairy and gluten; while I will be going to talk to some different practitioners about how I can best manage my hormones and take care of my body, I got started with the information on this webpage. Please note: I’m not initiating all of these supplements and herbs at the same time! I started with things I’ve done before — multivitamin, fish oil, nettle and dandelion tea — and added the vitex, evening primrose, probiotics, and b-12. I’m starting with low dosages, letting my body acclimate. This is the time of the month when I’d usually be deep into my difficult mood, the big depression, the hard pull down. I can feel it inside me: the spikes of anger are there, I can certainly feel the flares that say, oooh, girl, you’re premenstural. But I don’t wake up deep in despair. I am paying attention.
Have you seen a Möbius strip? It’s one of those things kids get shown when adults want to demonstrate the concept of infinity, and paradox. They take a long strip of construction paper between two hands, twist it once, and then tape the ends of the paper together so that you have a loop with a twist in it. Then they say, Now look: if you drop your pen at any point and start making a line along the length of the paper, you’ll end up drawing on both sides of the strip without lifting your pen — how is that possible?
I remember being delighted by Möbius strips when I first discovered them, and made bunches of them, amazed every time that the strip of recycled paper from my dad’s old dot matrix printer had a line that traversed the whole surface of the paper; I never had to pick up the pen to get to the other side — this two sided piece of paper had turned into a loop that appeared to only have one side. How was that possible?
Sometimes our new topologies just don’t make logical sense to our old eyes, our old ways of thinking. We have to meet the paradox with curiosity — at least, that’s what I’m trying to do right now. Wonder and delight aren’t always easy when the boundaries appear to have moved indefinitely and I’m walking and walking on this new path with no end in sight, and those footprints next to me on the sand look an awful lot like my own. How can I slow down when I’ve got so much to do? Haven’t I been here before, in this place of major transition? When will the ground get stable under my feet again? When will everything make sense?
My intention right now is to go more slowly — on all fronts. Less multitasking, more hands in dirt and dough and changing diapers and holding the pen. What if this got to be a good life? How do we go slowly enough to be able to listen to what the birds were trying to tell us, or to discover that the path that we think keeps changing is actually the same one we’ve been traveling all along?