Tag Archives: trauma story

WriOursWhoMo – April Poems: Robert Bly’s Things to Think

photo of a leaf and tendril spray painted on the sidewalk at the base of a pipeGood morning, good morning. It’s early morning in Boston, where it doesn’t really ever get dark – there’s always light from the nearby buildings, the cityscape. I’m not awake yet and I want my tea. My feet are chilly but it’s too warm in the radiator apartment for the wool socks I brought down with me. My car is on the street here – it’s strange for city life to begin to feel foreign. Across the street from me is an MIT frathouse, an old heritage building, probably once a single-family mansion now turned into dorm plus gathering space for the smartypantses of America. On the second floor, there’s a huge window shaped like a bishop’s hat, stained glass amid interlocking arches at the top, and through this I can see a faded oriental rug, dark wood floors, bright lights, a couple of benches. I can’t help wondering how many times that rug has been thrown up on, cried near, how many feet have pressed soles into its shortening naps. I can’t help wondering what that rug has seen.

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Things to Think
~Robert Bly

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I am reminded why we share our stories about sex

Le masculin l’emporte – Mais où ?

Good morning, good morning, good Monday morning to you. How were you kind to yourself this weekend? Where are the words finding their way to you today?

Today we move iinto the second week of our Write Whole online group and the summer session of Write Whole (in person) begins tonight. I spent a good chunk of my weekend reading Martha Beck’s Leaving the Saints, which has layers of trauma narrative I hadn’t expected. I’m working on a book about how and why it’s of use to write in community about our experiences of sexual violation, which means revisiting and writing into my own history, herstory, my own story. I am reading and responding to stories posted on the online group forums. I am preparing prompts designed to elicit deeper or more layered or more complicated parts of our stories, the parts we don’t tell very often, the parts that haven’t been so exposed to the light, the parts we tuck underneath the rocks of our armor, protecting them, cradling them, keeping them safe. Those stories are often quite raw and blanched, and when they emerge, the language we use for them is full of energy, vivid and alive.

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