Tag Archives: prompts

snowflakes and shouting and safe hearts

graffti of a red heart, vaguely realistically drawnGood morning to you, over there. Are you warm enough? Keep that scarf on — don’t catch a chill.

I’m thinking about the people I love who are in the Northeast, who are in the middle of winter already, who have been without power, who are well under this new snow. I’m remembering why I left, and I’m nostalgic for the chill of it, the work of living there, how strong I felt, bundling up against the cold, digging out, stirring the coals in the woodstove and blazing it up each morning when I came down into the kitchen — add paper and kindling, then one log, then three, get it really going. Then I’d pour my coffee, settle at the kitchen table, write into the daybreak. No power meant no electric heat or gas, I don’t think, because those were electric-powered. Maybe the gas heaters would work, but we couldn’t use the fan to spread the warmth around (not that the fans worked all that well, anyway). Not living there anymore, I’m left with the romance of my memory, chapped cheeks, sharp and bright red, coming in to work at Stone Soup or Family Crisis, how I was bundled in a plaid barn jacket and boots, hair shorn, smiling at everyone in our shared burden of cold and ice and snow. I forget the deep depression I fell into every  winter, the seasonal affect business, how the cold got into my bones and wouldn’t leave, how I felt I couldn’t get warm, not ever. That part I don’t miss, I don’t even let myself remember. I miss the deep dark of rural Maine, and, too, the way the night spread itself bright through the woods when the ground was covered with snow, how I stood at my bedroom window on full-moon nights and the backyard was as light as midday with the reflection back up from the sparkling, ice-coated white.

Be safe over there, friends. Send me some snowflakes.

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the souls have their day

graffiti of three decorated skulls, honoring the Day of the DeadGood morning, foghorns, tall candle, sleeping puppy. Good morning, quiet music, strong tea, warm toes. Good morning. How’s the morning feel where you are?

(This feels like a conversation — like when I ask that question, somewhere you’re answering.)

Today is Halloween. All hollow’s eve, the day we bring the old pagan ritual of harvest, of releasing summer and releasing/honoring spirits and ancestors,  of masking and revelation into the public sphere. We take these days to honor who we’ve lost, to think about all the different selves we are, have been and could be, too.

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Tomales, report one

Van Gogh's starry night as graffiti

Oakland, I’m holding you in my heart and bones this morning.

Good mornin’ good mornin’ — the foghorns are going where I am; the streetcleaners, no, the garbagefolks are just coming around to collect the recycling. Those are the noises outside my window just now, that metallic sound of mash into maw, that long and hollow bassoony note. What’s it sound like where you are?

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Tomales Bay

graffiti typewriterToday I head out to the Tomales Bay Writing Workshops, head out for  a five-day writing workshop with Dorothy Allison and deep writing community in a place that I love, and it’s thanks, completely, to you.

Thank you.

A few months ago, I applied for a fellowship to this workshop, and then didn’t receive it. I had told myself, initially, well, if I don’t get the fellowship, then fine, I just won’t go. But I got the letter informing me that I’d been placed in Dorothy Allison’s workshop and they hoped I could join them just the same, even though they had given the fellowships to other folks. Something in me said, the writer part said, we have to go anyway. I couldn’t afford it, not without help. We had sudden bills that were coming due, family business that needed dealing with, low enrollment in workshops — still: we have to go anyway, the part in me said. Just ask for help.

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what’s erotic writing good for?

http://www.flickr.com/photos/wallyg/3922015993/

Good Monday to you (morning or afternoon or evening, depending on where you are!).

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let it into the light

National Coming Out Day logo: Keith Haring image of a figure emerging, jubilant, from a closet doorGood morning good morning — is it Tuesday where you are? Here, it’s a Tuesday, quiet so far, dark. I’m having green tea with tulsi and mint, and there’s a candle lit in a tall jar — the flame is popping in the wax as air bubbles emerge, I think, and it feels like the flame is talking to me.

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Sent out the writing ourselves whole October newsletter yesterday — there are a whole lot of new writing opportunities coming up in the new year! We’re launching Bayview Writers, a general-topic writing workshop for Marin — women’s group on Tuesday mornings in Tiburon, and an open group on Wednesday evenings in San Rafael. Also coming in January: Dive Deep, an advanced workshop for folks who are ready to dive deep into a writing project. Please let me know if you’d like to learn more about any of the writing opportunities coming up!

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bring that beat back

graffiti of a turntable, painted onto the side of a grey concrete building ornamentationGood morning — how is this morning treating you so far? Here it’s rainy and it took me a long, long time to wake up; I think I hit snooze about 20 times.

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What’s going on this morning? I can’t remember my dreams — in the dream I wish I’d had, my grandmother, one of them, or maybe both, came to me. we were sitting in a city park, on a dry bench, and they were holding hands. They looked like I remembered them, washed grey permanents, slightly bent bodies, deeply kind faces, my father’s mother’s face a little more open than my mother’s mother’s face, but still both so very much there. They pat the space between them, want me to sit down there. They tell me things I need to hear, they tell me about the time when I was gone, the time when their families were missing two grandchildren — this is what the holidays were like, they say, this is what it felt like to miss you and your sister. The space didn’t fill in around you, they say, there was just a hole. We didn’t talk about it much, but we all knew it was there.The wind blew against our faces, gentle, and somehow they were sitting next to each other and also around me.The air was blue, fresh, the sky was open. There were other people, far away, walking. My grandmothers explained about their lives, they told me how to go forward in my own. They opened their hands and let me put mine there, they let me see how our hands are so much the same. You see, they said to me, look at our hands. You belong to us. You’re home here.

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do over

graffiti of a sunflower, drawn onto red brickGood morning good morning — how is Tuesday feeling so far? Here the candles are low, flickering and sputtering hard, working hard for the last interweavings of oxygen and wax before losing all fuel.

The tea today is Moroccan mint – nettle/dandelion – cardamom – anise. Bitter with sweet undertones; a good wake-up tea.

We had a fantastic first meeting of the Fall ’11 Write Whole group last night — such powerful writers. I’m excited and grateful to be working with them! I woke up this morning and spent the first part of my writing time doing some reflective writing about the group — I’ve wanted to start a reflective practice after each workshop meeting for more than a year now, so it feels good to have begun that.

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allowing our hands to do good work

graffiti: yellow sun dripping rays, with red swirls trumpeting in overlayGood morning to you out there!

How is it where you are? I can hear a garbage collector somewhere out on the roads, but otherwise it’s a quiet Monday, outside of a few puppy-visits here at my desk. We’ve gotten so we can have her crate door open at night and she sleeps there, stays in bed and in the room with us. When I get up, she generally stays in bed for another hour or so, and then she starts making these little trips out to see me. I can make out a small dog-shaped shadow in the dark of the office door, and hear her wagging tail nicking against the doorframe.

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we can do it anyway

mosaic/graffiti of mountain and textGood Saturday morning! How is it already October? Better yet, how is it two-thousand-eleven? Isn’t it still 1983, we’re just 11, we’re just walking to class with our blue bookbags slung over our shoulders, we’re wearing sneakers with friendship-bead pins affixed to the laces, we’re hoping it will be hot enough over the weekend for one more day at the public pool before it closes for winter, we’re starting to get excited for Halloween — the year 2000 is way off, a movie fiction, something that won’t happen til we’re almost 40, for god’s sake, and who can even think that old?

And here we are now. Miraculous.

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The Fall ’11 Write Whole workshop starts on Monday. I’m so looking forward to this group — this will be the nineteenth session of this workshop, the end of it’s fifth year. I first launched the Write Whole series back in early 2007, after I’d been doing the Declaring Our Erotic workshops for several years. It took me that long to decide that I was ready, as a facilitator, to be present with a roomful of trauma stories. I’d been afraid, at first, that I would get overwhelmed, blown away — and, in fact, I think that it was wise for me to pay attention to that fear. I had to build my confidence and skills as a facilitator. Remember, though the first Declaring Our Erotic writing workshops were open to survivors of sexual trauma, we weren’t explicitly gathering to write our trauma stories; we were writing our desire, we were writing fantasy (our own and others’), we were playing with what was possible around sexuality — and though there was a shared understanding in the room around trauma, that is, a sense that we each knew that what we were writing about wasn’t necessarily easy or straightforward, we weren’t writing only about how difficult sex was for us. Sometimes trauma appeared in our stories, and that was perfect — there was room for the full complexity of our erotics, in all the positive and all the challenge. After awhile, though, I felt ready to try something different, and in 2006, four years after I started facilitating workshops, I led my first non-specifically-erotic-writing group, called Writing Ourselves Home, open to women. We met for 8 Saturdays, and I’m grateful to that group for giving me the confidence to stretch out into new of writing groups. I learned that the AWA method could hold all sorts of stories, and that by stayed true to our practices and focusing on one another’s writing, we remain a writing group and not a therapy group, no matter what the topic of the workshop or the exercises. We develop one another as creative writers, even as we also bear witness to beautiful and difficult stories.

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