Poetry is nearer to vital truth than history. – Plato
April is both National Poetry Month and National Sexual Assault Awareness and Prevention month. A few years ago I noticed that intersection and thought, That sounds like writing ourselves whole month. So, every April, I like to take a little time and reflect on these intersections that we who are trauma survivors who write walk within every day.
I have just returned from helping to facilitate a training of new AWA writing group facilitators. During the five days I spent with these folks — each of whom already knew how powerful it could be to write openly with others, taking risks with content and craft — I reflected on my own trainings, way back in 2001 and 2002.
I had never participated in anything like an Amherst Writers and Artists writing group when I showed up, shorn and ragged and scarred and scared, for my first facilitator’s training at Pat Schneider’s home back in the summer of 2001. I only knew that writing had saved my life, and I wanted to work with others for whom that might also be true. I’d taken one creative writing class in college, and one poetry workshop outside of school, and I’d never quite felt like I fit in any space that called itself “for writers.”
Pat’s method was a surprise and a revelation to me. This was a place where you could write whatever you wanted and no one could ask you if it really happened like that. No one could demand that you tell them more. No one could turn you away for your words. Your words would be welcomed and honored immediately. Continue reading
Yesterday, I got to have a conversation with my friend Emily about what we do at Writing Ourselves Whole. Emily is a seminary student, and wanted to talk some about the interweave of survival, desire, and spirituality. It was a very interesting hour and a half! What does spirituality have to do with writing about sex (or writing about anything), particularly for sexual trauma survivors?
My definition of the erotic is quite expansive, thanks to Audre Lorde. In her essay, “The Uses of the Erotic: The Erotic as Power,” she writes, “The erotic is a resource within each of us that lies in a deeply female and spiritual plane, firmly rooted in the power of our unexpressed or unrecognized feeling […] a measure between the beginnings of our sense of self and the chaos of our strongest feelings.” Over the years, I have come to describe the erotic, as Lorde does: embodied and “creative energy empowered.”
Psychologist Mihaly Csikszentmihalyi, in Flow: The Psychology of Optimal Experience, writes about this idea of “flow,” that state of being in which one is wholly absorbed in an activity or situation. Mindful creative engagement (such as a freewriting practice) connects us to our flow, to that place where we are fully engaged in what we’re doing, where we’re open to new ideas and we trust our instincts, all of which are markers of transformative practice.
Two quotes for you today from Audre Lorde, in honor of both National Poetry Month & National Sexual Assault Awareness & Prevention Month:
“Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge across our fears of what has never been before.”
“… poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.”
— Audre Lorde Continue reading
I love this...
Hello Thursday! Turns out I swapped my blog-topic days: Thursday was supposed to be for VozSutra posts, and Wednesday was to be for DOE posts. (I forgot about the Monday-freewrite agreement I made with myself.)