Tag Archives: workshop write

NaBloPoMo #3: rewriting the broken story

(All right, November — I see your challenge. No problem. So we won’t do a post every day this month. But we’ll still have 30 posts. So there.)

Last night at Fearless Words, for our first prompt, we created a list of myths and stories that get told about survivors (for example, that we are weak, asking for it, too needy, too emotional, not strong enough to just get over it, brave and strong all the time, not good enough, dirty, stupid, and so on…) Then we talked back to those messages —

We had fifteen minutes. Here’s what I wrote:

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She held out the song of the long view

Good morning! How is the sun peeling through the night’s succor where you are? Did you celebrate the Summer Solstice this weekend? Have you noticed that the days are shorter now?

This weekend I had the great pleasure of participating in A Festival of Writing, sponsored by AWA West and the Pacific School of Religion (Pat and Peter Schneider’s alma mater). I facilitated two writing sessions (one focused on writing about sex, and the other a general topic writing session, like Writing the Flood). What a gift it was to spend a day connecting with new writers and my AWA community here in the greater Bay Area. At the end of the day, we got to gather with Pat (via the wonders of technology), who shared with us about the seasons of a writer’s life and read from her new book How the Light Gets In: Writing As A Spiritual Practice.

In the second writing session, I started us off with a collection of images that I scattered over the table; we each chose an image or two, and wrote from those. The image that spoke to me was one that showed a bird flying over barbed wire, and this was the writing that came from the prompt:

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Let your hunger take its own path

The second prompt I offered to last night’s Write Whole writers was to scatter over the carpet a selection of images that were erotic, sensual, sensuous — and while the writers examined them, I shared the following two quotes:

I believe in the erotic and I believe in it as an enlightening force within our lives as women. I have become clearer about the distinctions between the erotic and other apparently similar forces. We tend to think of the erotic as an easy, tantalizing sexual arousal. I speak of the erotic as the deepest life force, a force which moves us toward living in a fundamental way. And when I say living I mean it as that force which moves us toward what will accomplish real positive change.Audre Lorde

Truly, we know that we cannot really subsist on little sips of life. The wild force in a woman’s soul demands that she have access to it all. ~ Clarissa Pinkola Estés

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our own definition of enough

Last night I offered Monica McIntyre’s song “Like A Lover” as a prompt to the Write Whole writers — if you haven’t met this woman’s amazing music, I invite you to do so now. Anyway, after rambling a bit in the notebook, this is what I dropped down into:

The singer says, “like a lover” – how would we talk to, treat ourselves, if we acted like our own lovers? What would it look like if we attended so deeply and gently and assiduously to our needs and desires? Drop in – I say into my own heart: I need space and deep quiet for my morning writing time. I say into my own heart: I am gladdest when I have spent some time every day with my fingers in soil, and in the preparation of food. I say into my heart: my body is all right. She is whole and strong, round just where she needs, and with a true a tremendous capacity for delight. I say into my own skin: you are whole. I say into my belly: you deserve to unknot. I say into my arms: you deserve to hold what keeps you whole. I say in-between my ears: you deserve space to unravel and meander. You deserve to weep and sing. You deserve the exhaustion of deep release. You deserve to come to conclusions, re-think, reconsider, change, unknow, decide for sure, and then do it all over again. You deserve to turn off the noise. You deserve poems that sing you awake. You deserve not to keep up with the Joneses. You deserve your own definition of enough.

I say into my self: You deserve to trust what you know about your own heart. You deserve the exact sort of pleasure your body prefers. You deserve to know what it’s like to be surprised by orgasm. You deserve as many orgasms as you want, no matter how long they take. You deserve to own the life you’ve crafted for yourself. You deserve to have survived. You deserve to treat yourself with the generosity and spaciousness you offer others. You deserve to know peace. You deserve to sleep well. You deserve to ask for what you want most even when you can’t figure away all by yourself to make it happen – you deserve to release that ask into a space where someone or something has resources greater than your single strong will and your single curious mind, and can come up with ideas you never could have imagined. You deserve to live in a state of curiosity and wonder. You deserve to live unafraid. You deserve to trust that he will never come after you. You deserve to know how to protect yourself. You deserve to trust that your beloved’s admiration is not clean enough for a demand, but simply a clarity of feeling: a delight and wonder at your precise you-ness.

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always more possible like this

list photo 051314At last night’s Write Whole meeting, I invited the gathered writers to create two lists, one titled, “This is what my body knew,” and the other titled “This is what my body didn’t know.”

Over there to the left is what my list looked like.

And down here below is what I wrote (all the way at the bottom is what it sounded like):

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no one else can understand why you’re crying

At yesterday’s Write Whole meeting, I offered this Sarah Kay poem as one of our prompts (the video is 18 minutes long, but we just used the poem she performed at the very beginning to spark our writing). Then, after the group left last night, I sat down and made a short recording of my response to this poem — this is what it sounds like in the writing group after we’ve written together: we read our words to one another straight out of our notebooks, and then allow others to witness our words, sharing what they heard us say, what stayed with them about our writing. Here is what I wrote:

(Consider using either video as your own prompts today — what stays with you? What sparks a response in your body? Where do your own words want to begin?)

the responsibility of the writer to say yes

Monday was our first meeting of this spring’s Write Whole: Survivors Write group. For the second of our writes that night, I offered a series of three sentences/fragments — the idea is to choose one (or let one choose you), and let your writing flow in response. Here were the prompts:

When was the last time I told my story?
It is the responsibility of the writer to…
I don’t want to write about…

I used the second of those for my own writing; that fragment was inspired by Grace Paley’s poem “Responsibility.” Here’s what I wrote:

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dreams and driving and springtime

We are far too busy
to be starkly simple in passion.
We will never dream the intense
wet spring lust of the toads.
– from “Toad dreams,” by Marge Piercy

In my dream, I am preparing for a workshop in an unfamiliar space — I’d been planning to move the group to another place, my office or something, but then I woke up from a nap and the group was meant to begin in under an hour, so I had no choice but to set up where I was — and anyway, that’s where the people were coming to; I’d never mentioned to anyway that I might move to another location; how would they know where to find the group if I moved? So I clean up, set up snacks, and put the poems and other handouts down on the writer’s chairs. Then I go downstairs to wait for folks to arrive — down into a warehouse space, filled with boxes. It’s a small group, only four or five people. One man arrives, and he says he’s changed his mind, thanks anyway, but he doesn’t think he’ll be joining the group. Someone else hears him and tags along out of the warehouse back into the night. I wonder if I’ll have enough people to write with, whether I’ll have to cancel the group after all.

The next Write Whole series begins this evening — I’m not surprised that I’m having this sort of anxiety dream. These are the concerns of facilitators: do we have the space set up right? Are folks going to join us? Will what we offer be enough to keep people in the room?

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What was it in me that expected and wanted to live?

dancing is the solution

Good morning this Wednesday morning. How is your heart today? What is the light doing with the edge of your teacup, with your mirror, with your windowpane? How are the words finding you? This morning I was up early, 3:30 and the body said, Ready? Let’s go. I had almost two hours with the candle and the notebooks before the light came. That’s some heart-feeding time there.

But don’t I always go back to the same places? The dreary trauma, the swollen girl lost and locked inside? Isn’t there more to that child? Where else can I find in that girl to fall into? What about the endeavorer, the explorer? Talk back to the girl who spent a lifetime listening to birds, harvesting sourgrass to eat, investigating every backyard, gulley and alleyway — what constitutes her humanity now? How did her curiosity survive all that he put her through? The only way I can think is to keep writing. But these bones aren’t mine anymore.

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just once before I die I would like to know I’ve flown free

The prompt I offered at one of our last Write Whole sessions was “things we aren’t supposed to talk about.” (You can make a list of those things, if you want, or simply dive into the first thing that comes up for you when you hear that phrase); we wrote for twenty minutes.

Here’s what I wrote:

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