Category Archives: Uncategorized

we show up for our creative beauty

graffiti painted on a wall that of a village at night,stars and moon overhead, trees in the foreground

Homage to a Starry Night, Santa Monica (flickr)

Good morning, good morning. What’s the day opening up like where you are? Here there’s a chill in the air after a too-hot yesterday, and the birds are still recuperating, I think — I haven’t heard a single one wake up yet. Wait, there they are…

It’s been hard to write recently. I sit down at the desk in the morning and all the words evaporate from my head. I try to sneak up on them, the way you might with a skittish cat or a butterfly or a hummingbird resting at the tip of a bottlebrush tree branch, but they slip away from me as soon as I get close enough to see what they might look like. The writing just isn’t coming.

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teach them toxic masculinity is not their due

red stop sigh with a white hand in the middle of the red, and an eye drawn in the middle of the hand.(Just a heads-up: there’s language about rape and sexual violence in this morning’s post. Be easy with you, ok?)

It’s morning on a Monday, and I’m at the computer again. I open the window to get a little feel of the outside. And to try and hear the owls. It’s rush outside right now, just road.

Yesterday in the paper I read an opinion piece by a man who, when he was in college, worked with the rape crisis center and led trainings with frat brothers. The writer described the need for education, that the young men he worked with, as much as they didn’t want to see him there — he called himself the ultimate buzz kill at the party — they still, many of them, needed what he was selling: they didn’t know what rape meant. They didn’t know that a drunk woman couldn’t consent to sex. They didn’t know a woman could say she wanted to have sex and then change her mind. They didn’t know that a woman shouldn’t have to physically fight them off in order to communicate her desire not to have sex.

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poems can blossom truth inside our hearts

Stencil of a woman in a dress, dancing, head thrown back, hair hanging down, next to the words

(Poetry is an extreme sport – Miss Tic)

Good morning, good morning.

Outside, it’s traffic and crickets. I’m waiting to hear whether the owl will be back this morning – she was here on Friday, and instead of writing a post I got distracted by her.

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trying to save ourselves. trying to save each other.

Lisboa graffiti: silhouette of birds sitting on a wire beneath a row of windows1. This is the morning. Let’s see if I can remember how to type. It’s been a month since I wrote in this blog – and during this month, my life changed and didn’t change. During this vacation, I taught my body about rest, separation from the daily work, from the sort of scheduled struggle we in the Bay Area have turned our normal into. I visited other places and touched other ways of being and walked on new streets and listened to new voices and touched new possibility.

2. Today is the eclipse that the papers can’t stop talking about. Tomorrow we will see if the world has survived this particular form of darkness, another disappearance in the eyes of the sun. We will stand at attention today and watch as celestial bodies battle it out for our attention, for light. Isn’t that what we do every day, with our attention to celebrity culture? But these are real stars, you say. Yes. Real stars.

3. I want to say something about Charlottesville, but of course, it’s not about Charlottesville. Charlottesville is emblematic of our country’s entire history. White supremacist racists have been killing people, mostly folks who aren’t white, for the entirety of the American “experiment.” Yes, we should rage that a woman was killed, a person was killed, when a white supremacist drove his car into a crowd of people who were standing up for anti-racist values. who were standing up against white supremacy, standing up for a fundamental change in America. One that says, all people are created equal, and means it, and believes it, and enacts policy and government with the idea that it’s actually true. Racists killing people is nothing new. White supremacists killing people isn’t new, not in our American past, and not in our current day.

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book snippet: who asks us?

(Good morning, good morning! While I’m away, I wanted to share with you some pieces from my book, Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, which is coming out next month! I’ll post one of these a week, on Friday mornings. Be easy with you, ok? And please keep writing…)

Cover of Writing Ourselves Whole book, the view of a small island from a wooden deck, you can see the edge of the deck, water, and a green island in the distance. The title reads Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, Jen Cross.From the section “who asks to hear your story?”:

“What happened to you? What was your childhood like? Want to tell me what brings you in today? How are you doing? Why don’t you like me to touch you there? Why are you so quiet/loud/scared/angry/sad all the time? How come you have so much sex? Why don’t you like surprises? How come you won’t have sex with me? What happened that night? Why don’t you want to talk about it? Do you want to tell me what happened to you?”

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book snippet: what writing can do

(Good morning, good morning! While I’m away, I wanted to share with you some pieces from my book, Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, which is coming out next month! I’ll post one of these a week, on Friday mornings. Be easy with you, ok? And please keep writing…)

Cover of Writing Ourselves Whole book, the view of a small island from a wooden deck, you can see the edge of the deck, water, and a green island in the distance. The title reads Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, Jen Cross.From the section “what writing can do for survivors”:

This is what I believe: Give us safe space, a “room” of our own and we will create change in our lives. We learn what it means to lie and truth our way to safety, to lie our way home. We must take what we need to continue the process of survival, which is ultimately a process of resistance: the pen the paper the time the space the cafe or bedroom or kitchen table the 3 a.m. living room the subway train the cemetery the laundromat the whatever it is we need.

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book snippet: the page has room

(Good morning, good morning! While I’m away, I wanted to share with you some pieces from my book, Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, which is coming out next month! I’ll post one of these a week, on Friday mornings. Be easy with you, ok? And please keep writing…)

Cover of Writing Ourselves Whole book, the view of a small island from a wooden deck, you can see the edge of the deck, water, and a green island in the distance. The title reads Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, Jen Cross.From “the page has room for my incomprehensibility”:

Today I don’t want words, I want the juice of this river, I want to play in the garden. I want to plant new seeds and then listen to the neighborhood birds until the seeds throw up shoots. Some days it’s all white butterflies and green tea. Somedays it’s all the dog and her orange ball and the kids screaming at the school a block away. Some days you’ve done enough healing, it’s been years enough, and you can set something down, remove the practice barrier, the training wheels, you can roll down the window and let the air in because you’ve done enough. You’ve done enough. There are more tears to come, yes, there will be more big ache in this lifetime, but you recognize now that that’s the human condition—not only about incest, not only about recovery, just the whole life fact of this existence. We don’t stop crying and there is laughter in our eyes, the puppy sprawls at my feet in the shade. I let the sun take my shoulders to a dark brown, bake this old, oldest, tension out of muscle and bone. (2014)

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book snippet: how to restory

(Good morning, good morning! While I’m away, I wanted to share with you some pieces from my book, Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, which is coming out next month! I’ll post one of these a week, on Friday mornings. Be easy with you, ok? And please keep writing…)

Cover of Writing Ourselves Whole book, the view of a small island from a wooden deck, you can see the edge of the deck, water, and a green island in the distance. The title reads Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma, Jen Cross.From “introduction: how to restory”

I started journaling in 1993, when I was twenty-one years old and breaking away from my stepfather after nearly ten years of ongoing sexual, psychological, and physical abuse. As often as I could, I took refuge in local café, where I bought a large, dark roast coffee, and popped a tape into my portable cassette player—Ani DiFranco, Erasure, Zap Mama, The Crystal Method—slid my headset over my ears, folded the notebook open to a new page, uncapped my pen, wrote things I thought I’d never be able to say out loud. I spent years doing this, my butt planted in a wooden chair in some coffee house or other in Northern New England or around San Francisco. This is the way I found my tongue again. I wrote through the numbness that kept me protected—through writing I could feel the sadness, despair, depression, rage. The emotions had a weight and a shape once they found their way into words, whereas, inside me, they had all tangled together into a single inarticulate mass. There were few days I didn’t break through into tears while I bent over my notebook at that corner table in the back of the cafe.
In the earliest months of my writing practice, I was often rigidly and “logically” truthful. I froze often during my writing sessions, straining hard to get every detail right so my stepfather could not accuse me of lying (should he ever come to read what I wrote—and, of course, I assumed he would; up to that point, he’d had access to every single aspect of my being). I wanted to compile a record of his atrocities, and was beginning the work of disentangling my feelings from the so-called psychoanalytical brainwashing that was a core component of his control over me, my sister, and my mother. If he ever made good on his threat to have me killed for leaving his bed, I believed someone would find this notebook and finally know who I really was. In those early years, as much as for any other reason, I wrote to survive my death in the form of a final, true story. I had told so many lies—I wanted someone, in the end, to know What Really Happened.

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off to see the wizard

Painting of a log cabin in the woods, beech trees in the foreground; the house has a steep, peaked roof and stands up on chicken legsGood morning, good morning.

On my screen is Baba Yaga, going off on an adventure in her cup, hair flying wild, broom in hand. Her house stands up on chicken legs. It’s just right for this day that I’m getting for my own adventure.

This morning, though, I am sick and scared, and even though I’m exited, there’s part of me that just wants to stay home, not do something new, stay where I know, with what I love and what’s familiar and good, stay with my pup and the view of the water and the trees and the bay. It’s like a wall inside me, this fear, something stubborn and seemingly immovable.

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they love it that we’re distracted

 

stencil graffiti of a person bending down in front of a tv screen -- their head is inside the screen. Around the image are the words Good morning, good morning.

there was a cat out on the porch just now, a shadow that smoothed across the morning deck, and stopped at Sophie’s water bowl. I watched her there, looking for bits of food. Then I turned to catch the kettle before it boiled, and when I looked back, the shadow had disappeared.

The morning is a quiet candle and a peaceful place. In two days we’ll get on a plane. In three days we;ll be in Dublin. Just now the temperature in Dublin is… I make myself not pick up the phone to check, not open a safari screen to check. It’s all I can do to remember how to do one thing at a time. The urge to look is a tightness in my belly and throat. Why do I just have to be sitting here typing? I could be reading a book and checking news and listening to news and have bread rising and doing all kinds of other things at the same time. I could be getting information right now — why that need? What’s the urgency about?

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