Monthly Archives: February 2011

on leaving (again)

my fingers holding up a 4 leaf clover, still in the ground, next to some purslaneIt’s moving day today, and we are leaving. Wasn’t I just writing that line? Last time it was Oakland; this time, it’s San Rafael. I barely got the time to learn the skin of this place, never mind put my ear to its heartbeat.

The photo is one I took on my walk to the bus stop one morning, past the dog park. Dangerous business, putting your fingers into the greenery next to a lamp post in a dog park, but that four-leaf clover was worth it. Wasn’t this place supposed to be lucky?

This is the last morning in our new house. This is still our new house — we’ve just barely been here a year. I woke up and looked at the walls, the light fixtures, I remembered just how I felt when we walked in and I so longed to live here.

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Sexton: “Said the Poet to the Analyst”

Said the Poet to the Analyst

My business is words. Words are like labels,
or coins, or better, like swarming bees.
I confess I am only broken by the sources of things;
as if words were counted like dead bees in the attic,
unbuckled from their yellow eyes and their dry wings.
I must always forget how one word is able to pick
out another, to manner another, until I have got
something I might have said…
but did not.

Your business is watching my words. But I
admit nothing. I work with my best, for instance,
when I can write my praise for a nickel machine,
that one night in Nevada: telling how the magic jackpot
came clacking three bells out, over the lucky screen.
But if you should say this is something it is not,
then I grow weak, remembering how my hands felt funny
and ridiculous and crowded with all
the believing money.

Anne Sexton

We practice writing to know ourselves changing

graffiti from miss tic: a woman with devil horns, hands crossed in front of her, next to the words "A Lacan Ses Lacunes"“The unconscious is structured like a language” – Jacques Lacan

“We are in no way obliged to deposit our lives in their [the Lacanian fathers’] banks of lack, to consider the constitution of the subject in terms of a drama manglingly restaged, to reinstate again and again the religion of the father.” – Hélène Cixous [1]

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recalibration

graffiti: blue sun with an eye at the heart of it, green grass underneath, In my dream, everything vibrated when it was time for me to get hurt — like there was a recalibration going on, like the movie was changing, and instead of the truck I was driving flipping over, I dipped into the dangerous gravel patch, still couldn’t make the truck slow down, but wasn’t going to die.

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One of the prompts I wanted to offer during the Writing Transitions workshop (which I’m going to offer again later this year) had to do with presencing both what’s joyous and what’s difficult about change, at the same time.

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Ask anyway

graffiti: blue dragonfly with yellow wings, saying, Ask for peaceThis is about asking and receiving.

This is about sitting with how that works sometimes.

One of my favorite Smiths songs is “Ask” (which you should listen to right now…), someone saying, hey, listen, it’s cute to be shy and coy, but sometimes you’ve gotta ask for what you want. It’s kind of an answer to, or a companion-on-the-other-side to Ain’t Too Proud To Beg (which, I know, The Temptations did first, but I always how TLC does it). These songs are about getting/giving yourself permission to claim your desire.

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a longer song

graffiti: listen to the universe singThis was the prompt: take a few deep breaths, get quiet, and just listen for a moment. Then choose one of these three (or more than one) fragments/quotes as a starting place for your writing:

  • Change, when it comes, cracks everything open (Dorothy Allison)
  • The rim of the sky is on fire and the flames are rising (Annie G Rogers)
  • It was her/his/their/your idea to…

This was my write to this prompt at Saturday’s Writing the Flood: Continue reading

what hearts can can do

graffiti of a sacred heart, geometrically rendered

I am typing with all the fingers of my left hand and just three on my right — I broke a glass this weekend, cut my hand, and now my ring finger is splinted up and my hand is wrapped in gauze.  This weekend, during our last Writing the Flood at the Flood Building, I managed to write, though slower than I usually do, with just those 3 fingers. The words were fainter on the page maybe, but still went deep.

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We have just about completely moved out of Suite 423 — many big thanks and lots of love to Fresh! White, Renee Garcia, Lou Vaile, Alex Cafarelli, and Cayenne Woods, who made the move happen! With my right hand effectively out of commission, I couldn’t do much more than some packing and pushing the dolly. Thank you so much for the help!

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cradling the desire to be cradled

Apache sculpture of Earth Mother, woman cradling a baby, looking off to one side, singing

Earth Mother by Apache artist Allan Houser (photo by L. Craig Schoonmaker)

One of the exercises we did with Vanissar involved imagining something that you care about, that you’re working for, that you want, and finding an image or a few words to represent whatever that is, and then putting that representation into ourselves, just behind our belly buttons, at our centers.

This image is similar to the one I put in my belly — although not quite. The woman I imagined had an empty lap, broad and full and open and waiting. I want to find that figure, the one in my head, in my body, for my altar.

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listening to the body’s stories

graffiti: black wingsThis isn’t like that — this is like something else. (That’s how it begins.)

Last night, I went to one of Vanissar Tarakali‘s workshops, Do It Yourself Trauma: Healing principles and practices to support your personal healing process. I want to follow my own instincts, these desires to let others both help and witness me into my body, to do the incredibly simple but also simultaneously (sometimes) devastating work of just noticing what’s going on in my body and letting it be. Last night Vanissar talked about emotional first aid (she talks about it on her blog here), and then we practiced some of what she described: grounding into the body, physical practices to meet and/or engage with particular feelings, appreciating the body for doing all that it does to take care of us (and this includes our trigger responses, the stuff we do that we don’t want to do anymore because it doesn’t serve us but it did serve us once upon a time), lots more. The three hours flew by! Here’s a great thing she said: if you beat yourself up for the ways that your body responds when it thinks it’s threatened, that’s going to seem like a threat! Whew.

What do I want to say about this? This morning I am both more achy and less — the armor around my shoulders (which last night I began envisioning like a pair of shoulder pads, the kind that footballers wear) feels softened. Not gone, just malleable; not penetrable, but able to shift some.

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prejudice and rethinking

mural of young woman bunching up huge numbers of calla lilies for marketToday I woke up from a dream about us living in a house here in town, one we haven’t been able to see inside of yet: in the dream, I could see the big, fat calla lily in the front yard. I’ve been having a hard time getting enough sleep, and somehow managed to wake up, get out of bed, when my 2nd alarm went off just after 6. I spend most of the morning spinning about my to-do list, which I am best able to tackle early in the morning. With this day job, I spend the bulk of my best and most creative working hours either getting ready for work or in commute — by the time I get to the office, the yoke of the day has set in.

What would it be like if this were my priority, the workshops, writing about the workshops? Have I told this story already? The person who controlled and sexually abused me/my family from 1982 until 1996, when he went to prison, my mother’s second husband, was a therapist — both he and my mom worked with kids who had been sexually abused. This has meant that I have been suspicious of all therapists — all therapists. Even my sister, now, I ask myself — yes, maybe even her. And this is why, named just this week by my former employer: because of my prejudice. I myself have felt it to be a fully-justified prejudice, but it’s a prejudice nonetheless, a preconceived opinion about every therapist I meet, at least momentarily, that isn’t based in any knowledge about that person. Yes, there are lots of shitty and manipulative therapists — and there are lots of shitty and manipulative and abusive teachers and clerks and computer programmers and… abusers aren’t limited to the realm of the transformative/healing arts.

Let me be gentle with it: this prejudice, like an armor, kept me safe — I needed to question and work to trust anyone who called themselves a therapist; I didn’t want just anyone thinking they could get at my brain. I still don’t. I know what they can do — ok, what some people who call themselves therapists can do with the skills and knowledge they have been entrusted with.

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